October 12 Updated Thursday afternoons
| << Prev. Week < Last Year | View Index | Next Year > Next Week >> | | Rank | LW | Title | Distributor | Theater Count | Change | % Change | Est. Screens | Change | Est. Shows | Change | Week # | | 88 |
113 |
Wake in Fright |
Drafthouse |
3 |
+2 |
+200.0% |
- |
- |
- |
- |
2 |
| 91 |
- |
Breathing |
Kino Lorber |
2 |
- |
- |
- |
- |
- |
- |
3 |
| 78 |
87 |
Toys in the Attic |
Hannover House |
5 |
+1 |
+25.0% |
- |
- |
- |
- |
6 |
| 62 |
- |
3,2,1... Frankie Go Boom |
Variance Films |
12 |
- |
- |
- |
- |
- |
- |
1 |
| 97 |
107 |
Now, Forager |
Argot Pictures |
2 |
+1 |
+100.0% |
- |
- |
- |
- |
2 |
| 84 |
- |
Least Among Saints |
Brainstorm Media |
3 |
- |
- |
- |
- |
- |
- |
1 |
| 52 |
39 |
Butter |
Radius-TWC |
19 |
-71 |
-78.9% |
- |
- |
- |
- |
2 |
| 71 |
69 |
Escape Fire |
Roadside Attractions |
6 |
-6 |
-50.0% |
- |
- |
- |
- |
2 |
| 87 |
111 |
Trade of Innocents |
Monterey Media, Inc. |
3 |
+2 |
+200.0% |
- |
- |
- |
- |
2 |
| 90 |
- |
The Big Picture (2012) |
MPI Media Group |
2 |
- |
- |
- |
- |
- |
- |
1 |
| 106 |
94 |
Grand Illusion (2012 re-release) |
Rialto |
1 |
-1 |
-50.0% |
- |
- |
- |
- |
23 |
| 42 |
34 |
The Oranges |
ATO Pictures |
56 |
-54 |
-49.1% |
- |
- |
- |
- |
2 |
| 77 |
- |
Step Up to the Plate |
Cinema Guild |
5 |
- |
- |
- |
- |
- |
- |
5 |
| 13 |
- |
Atlas Shrugged: Part II |
Atlas Distribution |
1,012 |
- |
- |
- |
- |
- |
- |
1 |
| 109 |
- |
Magnificent Desolation (IMAX) |
IMAX |
1 |
- |
- |
- |
- |
- |
- |
335 |
| 80 |
- |
War of the Buttons (2012) |
Weinstein Company |
5 |
- |
- |
- |
- |
- |
- |
1 |
| 112 |
- |
Simon and the Oaks |
The Film Arcade |
1 |
- |
- |
- |
- |
- |
- |
1 |
| 83 |
114 |
Wuthering Heights (2012) |
Oscilloscope Pictures |
4 |
+3 |
+300.0% |
- |
- |
- |
- |
2 |
| 99 |
109 |
The Revisionaries |
Kino Lorber |
2 |
+1 |
+100.0% |
- |
- |
- |
- |
2 |
| 115 |
- |
Tristana (2012 re-release) |
Cohen Media Group |
1 |
- |
- |
- |
- |
- |
- |
1 |
| 70 |
95 |
The House I Live In |
Abramorama |
8 |
+6 |
+300.0% |
- |
- |
- |
- |
2 |
| 102 |
102 |
Bel Borba Aqui |
Producers Distribution Agency |
1 |
- |
- |
- |
- |
- |
- |
2 |
| 54 |
64 |
V/H/S |
Magnolia |
18 |
+2 |
+12.5% |
- |
- |
- |
- |
2 |
| 73 |
- |
Middle of Nowhere (2012) |
AFFRM |
6 |
- |
- |
- |
- |
- |
- |
1 |
| 89 |
80 |
The Well-Digger's Daughter |
Kino Lorber |
3 |
-3 |
-50.0% |
- |
- |
- |
- |
13 |
| 76 |
- |
Special Forces |
Entertainment One |
5 |
- |
- |
- |
- |
- |
- |
1 |
| 92 |
- |
Bringing Up Bobby |
Monterey Media, Inc. |
2 |
- |
- |
- |
- |
- |
- |
3 |
| 108 |
- |
Le Amiche (re-issue) |
The Film Desk |
1 |
- |
- |
- |
- |
- |
- |
56 |
| 44 |
71 |
The Paperboy |
Millennium Ent. |
49 |
+38 |
+345.5% |
- |
- |
- |
- |
2 |
| 95 |
- |
Husbands in Goa |
UTV Communications |
2 |
- |
- |
- |
- |
- |
- |
4 |
| 66 |
- |
The Thieves |
Well Go USA |
11 |
- |
- |
- |
- |
- |
- |
1 |
| 98 |
- |
Photographic Memory |
First Run |
2 |
- |
- |
- |
- |
- |
- |
1 |
| 114 |
- |
Split: A Deeper Divide |
Feature Presentations Releasing |
1 |
- |
- |
- |
- |
- |
- |
1 |
| 37 |
40 |
English Vinglish |
Eros |
88 |
- |
- |
- |
- |
- |
- |
2 |
| 16 |
8 |
Won't Back Down |
Fox |
513 |
-2,004 |
-79.6% |
513 |
-2,004 |
2,540 |
-20,860 |
3 |
| 20 |
11 |
Resident Evil: Retribution |
Sony / Screen Gems |
349 |
-1,012 |
-74.4% |
420 |
-1,280 |
3,020 |
-10,280 |
5 |
| 17 |
10 |
Finding Nemo (3D) |
Buena Vista |
480 |
-1,266 |
-72.5% |
480 |
-1,266 |
3,590 |
-13,210 |
5 |
| 10 |
4 |
Trouble with the Curve |
Warner Bros. |
1,812 |
-1,191 |
-39.7% |
1,812 |
-1,191 |
16,200 |
-19,100 |
4 |
| 11 |
9 |
End of Watch |
Open Road Films |
1,551 |
-819 |
-34.6% |
1,600 |
-900 |
14,100 |
-17,600 |
4 |
| 7 |
5 |
Looper |
TriStar |
2,605 |
-388 |
-13.0% |
2,700 |
-900 |
32,500 |
-11,600 |
3 |
| 9 |
7 |
House at the End of The Street |
Relativity |
1,866 |
-854 |
-31.4% |
1,900 |
-900 |
16,600 |
-18,500 |
4 |
| 32 |
13 |
Dredd |
Lionsgate |
155 |
-676 |
-81.3% |
180 |
-870 |
1,330 |
-6,370 |
4 |
| 19 |
14 |
The Possession |
Lionsgate |
369 |
-452 |
-55.1% |
370 |
-451 |
2,960 |
-4,590 |
7 |
| 21 |
15 |
Lawless |
Weinstein Company |
287 |
-324 |
-53.0% |
290 |
-321 |
2,110 |
-2,350 |
7 |
| 2 |
2 |
Hotel Transylvania |
Sony / Columbia |
3,375 |
+23 |
+0.7% |
5,900 |
-300 |
54,300 |
-6,800 |
3 |
| 22 |
17 |
The Odd Life of Timothy Green |
Buena Vista |
279 |
-255 |
-47.8% |
280 |
-254 |
680 |
-3,420 |
9 |
| 26 |
19 |
Hope Springs |
Sony / Columbia |
215 |
-224 |
-51.0% |
230 |
-240 |
1,620 |
-1,790 |
10 |
| 24 |
18 |
The Bourne Legacy |
Universal |
245 |
-237 |
-49.2% |
250 |
-232 |
2,020 |
-2,020 |
10 |
| 15 |
12 |
The Master |
Weinstein Company |
682 |
-182 |
-21.1% |
690 |
-220 |
7,650 |
-2,720 |
5 |
| 36 |
22 |
The Campaign |
Warner Bros. |
101 |
-202 |
-66.7% |
101 |
-202 |
930 |
-1,890 |
10 |
| 1 |
1 |
Taken 2 |
Fox |
3,706 |
+45 |
+1.2% |
5,300 |
-200 |
74,700 |
-7,700 |
2 |
| 6 |
6 |
Pitch Perfect |
Universal |
2,787 |
+17 |
+0.6% |
2,900 |
-200 |
36,900 |
-2,600 |
3 |
| 29 |
20 |
ParaNorman |
Focus Features |
176 |
-166 |
-48.5% |
190 |
-190 |
1,410 |
-1,530 |
9 |
| 33 |
21 |
The Expendables 2 |
Lionsgate |
146 |
-167 |
-53.4% |
150 |
-163 |
1,170 |
-1,430 |
9 |
| 18 |
16 |
The Dark Knight Rises |
Warner Bros. |
465 |
-110 |
-19.1% |
550 |
-130 |
3,900 |
-1,410 |
13 |
| 5 |
3 |
Frankenweenie |
Buena Vista |
3,005 |
- |
- |
3,005 |
-95 |
28,600 |
-4,000 |
2 |
| 28 |
24 |
Diary of a Wimpy Kid: Dog Days |
Fox |
176 |
-81 |
-31.5% |
180 |
-80 |
1,790 |
-860 |
11 |
| 47 |
33 |
Barfi! |
UTV Communications |
34 |
-76 |
-69.1% |
34 |
-76 |
270 |
-760 |
5 |
| 38 |
31 |
The Amazing Spider-Man |
Sony / Columbia |
73 |
-72 |
-49.7% |
80 |
-70 |
510 |
-650 |
15 |
| 25 |
23 |
Ice Age: Continental Drift |
Fox |
237 |
-61 |
-20.5% |
280 |
-70 |
2,690 |
-720 |
14 |
| 27 |
26 |
Arbitrage |
Roadside Attractions |
194 |
-50 |
-20.5% |
200 |
-50 |
2,150 |
-740 |
5 |
| 40 |
35 |
Sleepwalk with Me |
IFC |
58 |
-42 |
-42.0% |
60 |
-40 |
150 |
-120 |
8 |
| 34 |
28 |
Ted |
Universal |
145 |
-42 |
-22.5% |
150 |
-40 |
1,240 |
-460 |
16 |
| 48 |
44 |
Robot & Frank |
Samuel Goldwyn |
34 |
-38 |
-52.8% |
34 |
-38 |
80 |
-120 |
9 |
| 41 |
37 |
Moonrise Kingdom |
Focus Features |
56 |
-36 |
-39.1% |
60 |
-32 |
400 |
-530 |
21 |
| 39 |
42 |
The Intouchables (U.S.-only) |
Weinstein Company |
59 |
-25 |
-29.8% |
60 |
-30 |
580 |
-260 |
21 |
| 35 |
30 |
Madagascar 3: Europe's Most Wanted |
Paramount (DreamWorks) |
122 |
-33 |
-21.3% |
130 |
-30 |
1,170 |
-340 |
19 |
| 86 |
60 |
Thaandavam |
UTV Communications |
3 |
-18 |
-85.7% |
3 |
-18 |
30 |
-130 |
3 |
| 60 |
53 |
The Watch |
Fox |
14 |
-18 |
-56.3% |
14 |
-18 |
90 |
-130 |
12 |
| 61 |
56 |
Killer Joe |
LD Entertainment |
13 |
-12 |
-48.0% |
13 |
-17 |
97 |
-92 |
12 |
| 64 |
57 |
Chicken with Plums |
Sony Classics |
11 |
-13 |
-54.2% |
11 |
-13 |
40 |
-54 |
9 |
| 56 |
54 |
The Queen of Versailles |
Magnolia |
17 |
-14 |
-45.2% |
20 |
-11 |
40 |
-30 |
13 |
| 46 |
47 |
Beasts of the Southern Wild |
Fox Searchlight |
36 |
-15 |
-29.4% |
40 |
-11 |
220 |
-200 |
16 |
| 67 |
61 |
The Best Exotic Marigold Hotel |
Fox Searchlight |
9 |
-9 |
-50.0% |
10 |
-10 |
56 |
-34 |
24 |
| 53 |
58 |
Safety Not Guaranteed |
FilmDistrict |
18 |
-6 |
-25.0% |
20 |
-10 |
80 |
-100 |
19 |
| 116 |
73 |
Vulgaria |
China Lion |
1 |
-8 |
-88.9% |
1 |
-8 |
6 |
-30 |
3 |
| 96 |
84 |
Neil Young Journeys |
Sony Classics |
2 |
-3 |
-60.0% |
2 |
-8 |
- |
- |
16 |
| 107 |
83 |
Hellbound? |
Area23a |
1 |
-4 |
-80.0% |
1 |
-4 |
- |
- |
4 |
| 74 |
67 |
2 Days in New York |
Magnolia |
5 |
-9 |
-64.3% |
10 |
-4 |
10 |
-30 |
10 |
| 50 |
55 |
Liberal Arts |
IFC |
25 |
-4 |
-13.8% |
25 |
-4 |
70 |
-18 |
5 |
| 49 |
52 |
Born to Be Wild (IMAX) |
Warner Bros. |
30 |
-3 |
-9.1% |
30 |
-3 |
190 |
-20 |
80 |
| 55 |
62 |
Diana Vreeland: The Eye Has to Travel |
Samuel Goldwyn |
17 |
-1 |
-5.6% |
17 |
-3 |
70 |
-10 |
4 |
| 81 |
78 |
Wild Horse Wild Ride |
Screen Media |
5 |
-2 |
-28.6% |
5 |
-2 |
15 |
-7 |
8 |
| 93 |
86 |
Deep Sea 3D (IMAX) |
Warner Bros. |
2 |
-2 |
-50.0% |
2 |
-2 |
- |
- |
346 |
| 45 |
45 |
Samsara |
Oscilloscope Pictures |
48 |
-4 |
-7.7% |
50 |
-2 |
150 |
-26 |
8 |
| 8 |
- |
Sinister |
Lionsgate/Summit |
2,527 |
- |
- |
2,800 |
- |
37,500 |
- |
1 |
| 104 |
- |
Gayby |
The Film Collaborative |
1 |
- |
- |
1 |
- |
15 |
- |
1 |
| 75 |
75 |
Compliance |
Magnolia |
5 |
-2 |
-28.6% |
10 |
- |
10 |
-10 |
9 |
| 43 |
46 |
To the Arctic (IMAX) |
Warner Bros. |
52 |
- |
- |
52 |
- |
350 |
-20 |
26 |
| 94 |
82 |
Head Games |
Variance Films |
2 |
-3 |
-60.0% |
2 |
- |
- |
- |
4 |
| 110 |
- |
Nobody Else But You |
First Run |
1 |
- |
- |
1 |
- |
2 |
- |
21 |
| 65 |
70 |
Detropia |
Loki Films |
11 |
- |
- |
11 |
- |
20 |
-10 |
6 |
| 113 |
110 |
Space Station 3-D (IMAX) |
IMAX |
1 |
- |
- |
1 |
- |
1 |
- |
548 |
| 68 |
76 |
How to Survive a Plague |
IFC |
9 |
+2 |
+28.6% |
10 |
- |
40 |
+20 |
4 |
| 4 |
- |
Here Comes the Boom |
Sony / Columbia |
3,014 |
- |
- |
3,600 |
- |
46,800 |
- |
1 |
| 103 |
- |
Galapagos (IMAX) |
IMAX |
1 |
- |
- |
1 |
- |
2 |
- |
672 |
| 3 |
- |
Argo |
Warner Bros. |
3,232 |
- |
- |
3,800 |
- |
46,500 |
- |
1 |
| 105 |
- |
Girl Model |
First Run |
1 |
- |
- |
1 |
- |
4 |
- |
5 |
| 57 |
65 |
Celeste and Jesse Forever |
Sony Classics |
15 |
- |
- |
20 |
- |
30 |
- |
11 |
| 12 |
- |
Seven Psychopaths |
CBS Films |
1,480 |
- |
- |
1,500 |
- |
21,000 |
- |
1 |
| 79 |
85 |
Under the Sea 3D |
Warner Bros. |
5 |
- |
- |
10 |
- |
10 |
- |
192 |
| 111 |
108 |
Radio Unnameable |
Kino Lorber |
1 |
- |
- |
1 |
- |
- |
- |
4 |
| 82 |
- |
Smashed |
Sony Classics |
4 |
- |
- |
4 |
- |
23 |
- |
1 |
| 69 |
74 |
Farewell My Queen |
Cohen Media Group |
8 |
- |
- |
10 |
- |
20 |
- |
14 |
| 85 |
92 |
Red Hook Summer |
Variance Films |
3 |
- |
- |
3 |
- |
10 |
- |
10 |
| 101 |
- |
5 Broken Cameras |
Kino Lorber |
1 |
- |
- |
1 |
- |
- |
- |
20 |
| 117 |
115 |
Little White Lies |
MPI Media Group |
|
- |
- |
- |
- |
- |
- |
8 |
| 100 |
112 |
Unforgivable |
Strand |
2 |
+1 |
+100.0% |
2 |
+1 |
5 |
+4 |
16 |
| 63 |
77 |
The Other Dream Team |
The Film Arcade |
12 |
+5 |
+71.4% |
12 |
+2 |
136 |
+26 |
3 |
| 51 |
66 |
To Rome with Love |
Sony Classics |
24 |
+9 |
+60.0% |
24 |
+4 |
60 |
+10 |
17 |
| 58 |
68 |
Hubble 3D |
Warner Bros. |
15 |
+1 |
+7.1% |
20 |
+6 |
20 |
+10 |
135 |
| 72 |
90 |
Keep the Lights On |
Music Box Films |
6 |
+3 |
+100.0% |
10 |
+7 |
20 |
+10 |
6 |
| 59 |
72 |
Ruby Sparks |
Fox Searchlight |
15 |
+5 |
+50.0% |
20 |
+10 |
130 |
+70 |
12 |
| 30 |
43 |
Premium Rush |
Sony / Columbia |
163 |
+86 |
+111.7% |
163 |
+83 |
1,850 |
+1,330 |
8 |
| 31 |
51 |
Searching for Sugar Man |
Sony Classics |
157 |
+119 |
+313.2% |
160 |
+120 |
630 |
+480 |
12 |
| 23 |
32 |
Brave |
Buena Vista |
276 |
+154 |
+126.2% |
360 |
+230 |
1,280 |
+880 |
17 |
| 14 |
27 |
The Perks of Being a Wallflower |
Lionsgate/Summit |
726 |
+505 |
+228.5% |
750 |
+470 |
10,530 |
+6,560 |
4 |
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