November 30 Updated Thursday afternoons
| << Prev. Week < Last Year | View Index | Next Year > Next Week >> | | Rank | LW | Title | Distributor | Theater Count | Change | % Change | Est. Screens | Change | Est. Shows | Change | Week # | | 1 |
1 |
The Twilight Saga: Breaking Dawn Part 2 |
Lionsgate/Summit |
4,008 |
-62 |
-1.5% |
5,900 |
-1,300 |
71,000 |
-28,000 |
3 |
| 2 |
2 |
Rise of the Guardians |
Paramount (DreamWorks) |
3,672 |
+19 |
+0.5% |
6,700 |
-100 |
72,500 |
-8,500 |
2 |
| 3 |
3 |
Skyfall |
Sony / Columbia |
3,463 |
-63 |
-1.8% |
4,900 |
-400 |
52,700 |
-7,800 |
4 |
| 4 |
4 |
Wreck-It Ralph |
Buena Vista |
3,087 |
-172 |
-5.3% |
4,500 |
-500 |
43,300 |
-7,700 |
5 |
| 5 |
5 |
Life of Pi |
Fox |
2,928 |
+1 |
+0.0% |
5,700 |
- |
52,100 |
-4,500 |
2 |
| 6 |
6 |
Red Dawn (2012) |
FilmDistrict |
2,781 |
+57 |
+2.1% |
3,100 |
-100 |
41,700 |
-3,900 |
2 |
| 7 |
7 |
Flight |
Paramount |
2,603 |
-35 |
-1.3% |
2,700 |
-100 |
28,900 |
-3,400 |
5 |
| 8 |
- |
Killing Them Softly |
Weinstein Company |
2,424 |
- |
- |
2,500 |
- |
34,900 |
- |
1 |
| 9 |
8 |
Lincoln |
Buena Vista |
2,018 |
- |
- |
2,700 |
+100 |
29,100 |
-800 |
4 |
| 10 |
- |
The Collection |
LD Entertainment |
1,403 |
- |
- |
1,403 |
- |
21,800 |
- |
1 |
| 11 |
9 |
Argo |
Warner Bros. |
1,043 |
-212 |
-16.9% |
1,100 |
-200 |
10,400 |
-1,800 |
8 |
| 12 |
10 |
Taken 2 |
Fox |
496 |
-267 |
-35.0% |
500 |
-270 |
4,960 |
-2,070 |
9 |
| 13 |
12 |
Pitch Perfect |
Universal |
403 |
-89 |
-18.1% |
410 |
-82 |
3,820 |
-510 |
10 |
| 14 |
39 |
Anna Karenina |
Focus Features |
384 |
+318 |
+481.8% |
420 |
+328 |
5,010 |
+3,877 |
3 |
| 15 |
15 |
Silver Linings Playbook |
Weinstein Company |
371 |
+4 |
+1.1% |
410 |
- |
5,480 |
-280 |
3 |
| 16 |
13 |
Here Comes the Boom |
Sony / Columbia |
334 |
-156 |
-31.8% |
334 |
-156 |
2,920 |
-1,380 |
8 |
| 17 |
16 |
Looper |
TriStar |
280 |
-13 |
-4.4% |
280 |
-20 |
2,680 |
-270 |
10 |
| 18 |
14 |
Hotel Transylvania |
Sony / Columbia |
248 |
-216 |
-46.6% |
270 |
-230 |
2,110 |
-1,770 |
10 |
| 19 |
11 |
The Sessions |
Fox Searchlight |
226 |
-289 |
-56.1% |
230 |
-290 |
2,310 |
-3,470 |
7 |
| 20 |
17 |
Cloud Atlas |
Warner Bros. |
194 |
-64 |
-24.8% |
200 |
-60 |
1,410 |
-350 |
6 |
| 21 |
18 |
The Perks of Being a Wallflower |
Lionsgate/Summit |
189 |
-53 |
-21.9% |
190 |
-52 |
1,710 |
-580 |
11 |
| 22 |
20 |
Brave |
Buena Vista |
181 |
-9 |
-4.7% |
210 |
-10 |
710 |
-50 |
24 |
| 23 |
19 |
The Man with the Iron Fists |
Universal |
174 |
-31 |
-15.1% |
174 |
-36 |
1,640 |
-240 |
5 |
| 24 |
- |
Talaash |
Reliance Big Pictures |
172 |
- |
- |
190 |
- |
2,090 |
- |
1 |
| 25 |
38 |
Seven Psychopaths |
CBS Films |
162 |
+80 |
+97.6% |
162 |
+80 |
1,640 |
+940 |
8 |
| 26 |
22 |
The Odd Life of Timothy Green |
Buena Vista |
147 |
-25 |
-14.5% |
150 |
-22 |
520 |
-80 |
16 |
| 27 |
21 |
Silent Hill: Revelation 3D |
Open Road Films |
124 |
-66 |
-34.7% |
140 |
-80 |
1,250 |
-940 |
6 |
| 28 |
25 |
Fun Size |
Paramount |
116 |
-28 |
-19.4% |
120 |
-24 |
1,190 |
-520 |
6 |
| 29 |
24 |
Alex Cross |
Lionsgate/Summit |
114 |
-30 |
-20.8% |
114 |
-36 |
1,070 |
-300 |
7 |
| 30 |
32 |
Son of Sardaar |
Eros |
109 |
- |
- |
110 |
- |
290 |
- |
3 |
| 31 |
27 |
House at the End of The Street |
Relativity |
108 |
-30 |
-21.7% |
110 |
-30 |
1,010 |
-340 |
11 |
| 32 |
28 |
ParaNorman |
Focus Features |
104 |
-30 |
-22.4% |
120 |
-30 |
1,090 |
-310 |
16 |
| 33 |
31 |
Ice Age: Continental Drift |
Fox |
102 |
-7 |
-6.4% |
110 |
-10 |
950 |
-120 |
21 |
| 34 |
30 |
Frankenweenie |
Buena Vista |
100 |
-22 |
-18.0% |
100 |
-22 |
280 |
-70 |
9 |
| 35 |
26 |
Trouble with the Curve |
Warner Bros. |
100 |
-40 |
-28.6% |
100 |
-40 |
810 |
-370 |
11 |
| 36 |
29 |
Sinister |
Lionsgate/Summit |
88 |
-39 |
-30.7% |
90 |
-40 |
820 |
-220 |
8 |
| 37 |
33 |
The Dark Knight Rises |
Warner Bros. |
80 |
-28 |
-25.9% |
80 |
-30 |
530 |
-170 |
20 |
| 38 |
40 |
Chasing Mavericks |
Fox |
79 |
+19 |
+31.7% |
80 |
+20 |
740 |
+190 |
6 |
| 39 |
37 |
Finding Nemo (3D) |
Buena Vista |
79 |
-5 |
-6.0% |
80 |
-10 |
270 |
-20 |
12 |
| 40 |
36 |
A Late Quartet |
Entertainment One |
74 |
-14 |
-15.9% |
74 |
-16 |
560 |
-320 |
5 |
| 41 |
34 |
Paranormal Activity 4 |
Paramount |
70 |
-38 |
-35.2% |
70 |
-40 |
610 |
-360 |
7 |
| 42 |
45 |
Searching for Sugar Man |
Sony Classics |
53 |
+10 |
+23.3% |
53 |
+10 |
130 |
+30 |
19 |
| 43 |
41 |
Diary of a Wimpy Kid: Dog Days |
Fox |
52 |
-7 |
-11.9% |
52 |
-9 |
441 |
-64 |
18 |
| 44 |
42 |
To the Arctic (IMAX) |
Warner Bros. |
52 |
- |
- |
52 |
- |
310 |
- |
33 |
| 45 |
57 |
Hitchcock |
Fox Searchlight |
50 |
+33 |
+194.1% |
70 |
+40 |
970 |
+550 |
2 |
| 46 |
44 |
A Royal Affair |
Magnolia |
41 |
-3 |
-6.8% |
- |
- |
- |
- |
4 |
| 47 |
47 |
The Other Son |
Cohen Media Group |
40 |
+5 |
+14.3% |
- |
- |
- |
- |
6 |
| 48 |
43 |
Arbitrage |
Roadside Attractions |
35 |
-13 |
-27.1% |
40 |
-10 |
250 |
-150 |
12 |
| 49 |
46 |
Atlas Shrugged: Part II |
Atlas Distribution |
35 |
- |
- |
- |
- |
- |
- |
8 |
| 50 |
49 |
Born to Be Wild (IMAX) |
Warner Bros. |
30 |
- |
- |
30 |
- |
210 |
+10 |
87 |
| 51 |
56 |
Chasing Ice |
Submarine Deluxe |
30 |
+13 |
+76.5% |
- |
- |
- |
- |
4 |
| 52 |
55 |
Holy Motors |
Indomina Media |
25 |
+4 |
+19.0% |
- |
- |
- |
- |
7 |
| 53 |
53 |
Samsara |
Oscilloscope Pictures |
25 |
+3 |
+13.6% |
30 |
+8 |
50 |
+6 |
15 |
| 54 |
48 |
End of Watch |
Open Road Films |
24 |
-10 |
-29.4% |
24 |
-10 |
258 |
-102 |
11 |
| 55 |
52 |
The Master |
Weinstein Company |
23 |
-2 |
-8.0% |
23 |
-7 |
140 |
-46 |
12 |
| 56 |
- |
Back to 1942 |
China Lion |
20 |
- |
- |
20 |
- |
80 |
- |
1 |
| 57 |
- |
A Werewolf Boy |
CJ Entertainment |
20 |
- |
- |
- |
- |
- |
- |
1 |
| 58 |
54 |
The Flat |
IFC |
19 |
-2 |
-9.5% |
- |
- |
- |
- |
7 |
| 59 |
60 |
Hubble 3D |
Warner Bros. |
19 |
+5 |
+35.7% |
20 |
- |
30 |
- |
142 |
| 60 |
51 |
The Intouchables (U.S.-only) |
Weinstein Company |
19 |
-7 |
-26.9% |
20 |
-10 |
80 |
-70 |
28 |
| 61 |
59 |
The Polar Express (2012 re-issue) |
Warner Bros. |
16 |
+1 |
+6.7% |
- |
- |
- |
- |
2 |
| 62 |
50 |
Smashed |
Sony Classics |
15 |
-15 |
-50.0% |
20 |
-10 |
30 |
-70 |
8 |
| 63 |
- |
Dragon (2012) |
Radius-TWC |
14 |
- |
- |
14 |
- |
60 |
- |
1 |
| 64 |
58 |
Diana Vreeland: The Eye Has to Travel |
Samuel Goldwyn |
12 |
-3 |
-20.0% |
12 |
-3 |
24 |
-12 |
11 |
| 65 |
- |
Hecho En Mexico |
Lionsgate |
12 |
- |
- |
- |
- |
- |
- |
1 |
| 66 |
- |
Silent Night |
Anchor Bay Films |
11 |
- |
- |
- |
- |
- |
- |
1 |
| 67 |
66 |
The Loneliest Planet |
IFC |
10 |
+3 |
+42.9% |
- |
- |
- |
- |
6 |
| 68 |
68 |
Wuthering Heights (2012) |
Oscilloscope Pictures |
10 |
+4 |
+66.7% |
- |
- |
- |
- |
9 |
| 69 |
67 |
Starlet |
Music Box Films |
9 |
+3 |
+50.0% |
10 |
- |
30 |
+20 |
4 |
| 70 |
65 |
Under the Sea 3D |
Warner Bros. |
8 |
- |
- |
10 |
- |
10 |
- |
199 |
| 71 |
76 |
The Central Park Five |
IFC |
7 |
+4 |
+133.3% |
7 |
+4 |
25 |
+5 |
2 |
| 72 |
62 |
Chicken with Plums |
Sony Classics |
7 |
-3 |
-30.0% |
10 |
- |
10 |
-10 |
16 |
| 73 |
91 |
Citadel |
Cinedigm Entertainment |
7 |
+6 |
+600.0% |
7 |
+6 |
25 |
+19 |
4 |
| 74 |
64 |
This Must Be the Place |
Weinstein Company |
7 |
-1 |
-12.5% |
10 |
- |
60 |
-30 |
5 |
| 75 |
- |
The Waiting Room |
International Film Circuit |
5 |
- |
- |
10 |
- |
20 |
- |
10 |
| 76 |
82 |
The Big Picture (2012) |
MPI Media Group |
4 |
+2 |
+100.0% |
- |
- |
- |
- |
8 |
| 77 |
63 |
Brooklyn Castle |
Producers Distribution Agency |
4 |
-4 |
-50.0% |
- |
- |
- |
- |
7 |
| 78 |
74 |
Deep Sea 3D (IMAX) |
Warner Bros. |
4 |
- |
- |
4 |
- |
10 |
- |
353 |
| 79 |
99 |
Now, Forager |
Argot Pictures |
4 |
+3 |
+300.0% |
- |
- |
- |
- |
9 |
| 80 |
75 |
28 Hotel Rooms |
Oscilloscope Pictures |
3 |
- |
- |
3 |
- |
10 |
- |
4 |
| 81 |
83 |
Keep the Lights On |
Music Box Films |
3 |
+1 |
+50.0% |
3 |
+1 |
6 |
+4 |
13 |
| 82 |
72 |
Masquerade (2012) |
CJ Entertainment |
3 |
-2 |
-40.0% |
- |
- |
- |
- |
11 |
| 83 |
- |
Neighboring Sounds |
Cinema Guild |
3 |
- |
- |
- |
- |
- |
- |
8 |
| 84 |
- |
Universal Soldier: Day of Reckoning |
Magnolia |
3 |
- |
- |
3 |
- |
10 |
- |
1 |
| 85 |
90 |
Celeste and Jesse Forever |
Sony Classics |
2 |
+1 |
+100.0% |
2 |
- |
- |
- |
18 |
| 86 |
79 |
Gregory Crewdson: Brief Encounters |
Zeitgeist |
2 |
-1 |
-33.3% |
- |
- |
- |
- |
5 |
| 87 |
71 |
The Imposter |
Indomina Media |
2 |
-3 |
-60.0% |
2 |
-8 |
6 |
-4 |
21 |
| 88 |
85 |
Rust and Bone |
Sony Classics |
2 |
- |
- |
3 |
- |
14 |
- |
2 |
| 89 |
86 |
Somewhere Between |
Long Shot Factory |
2 |
- |
- |
2 |
- |
3 |
+3 |
15 |
| 90 |
87 |
Space Station 3-D (IMAX) |
IMAX |
2 |
- |
- |
2 |
- |
- |
- |
555 |
| 91 |
104 |
The Thieves |
Well Go USA |
2 |
+1 |
+100.0% |
- |
- |
- |
- |
8 |
| 92 |
81 |
Wake in Fright |
Drafthouse |
2 |
-1 |
-33.3% |
- |
- |
- |
- |
9 |
| 93 |
- |
Young and Wild |
IFC |
2 |
- |
- |
- |
- |
- |
- |
1 |
| 94 |
- |
All Together |
Kino Lorber |
1 |
- |
- |
- |
- |
- |
- |
7 |
| 95 |
- |
Alps |
Kino Lorber |
1 |
- |
- |
1 |
- |
5 |
- |
21 |
| 96 |
- |
Beware of Mr. Baker |
Snagfilms |
1 |
- |
- |
1 |
- |
- |
- |
1 |
| 97 |
- |
California Solo |
Strand |
1 |
- |
- |
1 |
- |
5 |
- |
1 |
| 98 |
73 |
Dangerous Liaisons (2012) |
Well Go USA |
1 |
-3 |
-75.0% |
- |
- |
- |
- |
4 |
| 99 |
92 |
Galapagos (IMAX) |
IMAX |
1 |
- |
- |
- |
- |
- |
- |
684 |
| 100 |
- |
Girl Model |
First Run |
1 |
- |
- |
- |
- |
- |
- |
13 |
| 101 |
94 |
Grand Illusion (2012 re-release) |
Rialto |
1 |
- |
- |
- |
- |
- |
- |
30 |
| 102 |
96 |
The House I Live In |
Abramorama |
1 |
- |
- |
- |
- |
- |
- |
9 |
| 103 |
97 |
Kumare |
Kino Lorber |
1 |
- |
- |
1 |
- |
- |
- |
23 |
| 104 |
- |
Love, Marilyn |
Submarine Deluxe |
1 |
- |
- |
- |
- |
- |
- |
1 |
| 105 |
- |
Magnificent Desolation (IMAX) |
IMAX |
1 |
- |
- |
- |
- |
- |
- |
338 |
| 106 |
101 |
Radio Unnameable |
Kino Lorber |
1 |
- |
- |
1 |
- |
2 |
- |
11 |
| 107 |
- |
This is Not a Film |
Palisades Tartan |
1 |
- |
- |
1 |
- |
1 |
- |
38 |
| 108 |
88 |
The Well-Digger's Daughter |
Kino Lorber |
1 |
-1 |
-50.0% |
- |
- |
- |
- |
20 |
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