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Sunday, November 6, 2011
 
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TDTitle (Click to View)StudioDaily GrossTheaters / AvgScreens / AvgShows / AvgGross To-DateDay
-The Son of No OneAnchor Bay Films$4,51010$45110$45156$81$18,0153
-Texas Killing FieldsAnchor Bay Films$1,40110$14010$14042$33$42,23724
7Real SteelBuena Vista$916,1702,438$3762,500$3669,000$102$78,779,32831
-Kevin Hart: Laugh at My PainCodeblack Entertainment$4,96239$12740$124170$29$7,673,91359
8The Rum DiaryFilmDistrict$732,4182,292$3202,300$3189,500$77$10,356,21510
-Drive (2011)FilmDistrict$52,279136$384140$373420$124$34,064,64252
-Don't Be Afraid of the DarkFilmDistrict$9,29252$17952$179180$52$24,020,09973
4In TimeFox$1,730,0003,127$5533,600$48115,300$113$23,990,23710
-Munger RoadFreestyle Releasing$2,1219$2369$23643$49$258,98838
-The DoubleImage Entertainment$16,76645$37345$373226$74$98,56010
-AbductionLionsgate$28,628207$138210$136670$43$27,366,47545
-Killer EliteOpen Road Films$11,360119$95120$95310$37$25,006,54845
5Paranormal Activity 3Paramount$1,670,1953,286$5083,700$45117,600$95$95,116,74517
6Footloose (2011)Paramount$944,2412,811$3362,811$33610,800$87$44,719,75524
-Captain America: The First AvengerParamount$13,842102$136102$136290$48$176,636,816108
1Puss in BootsParamount (DreamWorks)$10,155,8693,963$2,5637,300$1,39131,300$324$75,527,68210
-Like CrazyParamount Vantage$76,82016$4,80125$3,073132$582$444,51010
-The Mighty MacsQuaker Media$26,150101$259101$259340$77$1,737,27317
-Shark Night 3DRelativity$7,51144$17150$150140$54$18,837,42466
-Machine Gun PreacherRelativity$2,24812$18712$18740$56$520,50445
-Public SpeakingRialto$3371$3371$3372$169$57,930173
-The Man Who Fell to Earth (35th anniversary re-issue)Rialto$2711$271n/an/an/an/a$93,966136
-Margin CallRoadside Attractions$185,406178$1,042180$1,030750$247$2,516,34917
-CircumstanceRoadside Attractions$8985$18010$9010$90$436,34573
-The FutureRoadside Attractions$1535$315$316$26$567,043101
-Project NimRoadside Attractions$343$114$96$6$406,442122
10The Ides of MarchSony / Columbia$429,9811,391$3091,400$3075,100$84$36,738,48231
12MoneyballSony / Columbia$363,3621,278$2841,300$2804,000$91$70,213,83145
13AnonymousSony / Columbia$325,832513$635530$6152,220$147$2,683,33210
-The SmurfsSony / Columbia$90,891278$327300$303970$94$141,271,535101
9The Three Musketeers (2011)Summit Entertainment$466,2361,863$2502,300$2036,200$75$18,047,63017
1550/50Summit Entertainment$218,775747$293750$2922,310$95$32,974,87738
11CourageousTriStar$422,4011,138$3711,138$3714,000$106$29,951,29638
2Tower HeistUniversal$5,472,9953,367$1,6254,500$1,21620,100$272$24,025,1903
-Johnny English RebornUniversal$202,860644$315650$3122,080$98$7,725,15517
-The Thing (2011)Universal$61,440384$160n/an/an/an/a$16,744,63524
-Dream HouseUniversal$41,250330$125330$1251,120$37$21,146,85538
14Dolphin TaleWarner Bros.$305,2031,105$2761,200$2543,200$95$68,617,38345
-ContagionWarner Bros.$53,036260$204260$204820$65$74,467,64059
-Harry Potter and the Deathly Hallows Part 2Warner Bros.$33,817225$150230$147380$89$380,873,020115
-Born to Be Wild (IMAX)Warner Bros.$31,15349$63650$623100$312$13,964,049213
-Crazy, Stupid, Love.Warner Bros.$28,090172$163172$163500$56$84,109,600101
3A Very Harold & Kumar 3D ChristmasWarner Bros. (New Line)$2,866,1422,875$9973,900$73517,400$165$12,954,1423
-Spy Kids: All the Time in the WorldWeinstein / Dimension$20,07198$205100$201270$74$38,355,21080
-Apollo 18Weinstein / Dimension$10,35393$11193$111280$37$17,663,68866
-Sarah's KeyWeinstein Company$75,530318$238320$2361,330$57$7,338,460108
-Our Idiot BrotherWeinstein Company$5,38735$15440$135110$49$24,791,76073
-I Don't Know How She Does ItWeinstein Company$1,0718$1348$13416$67$9,608,79452
-Dirty GirlWeinstein Company$5466$916$9122$25$53,63031
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Note: Screen and Showing Counts are estimates made by Box Office Mojo based on showtimes tracking information. To read more about box office tracking and terminology, click here.



NOTE: If daily grosses stop for a movie, it means that the respective studio is no longer tracking it on a daily basis. The exceptions are New Line, Miramax/Dimension and Sony Pictures Classics. They don't do official daily box office, and estimates are made for their movies based on partial data in order to fill out the top 12. Because of this, movies from these studios are more apt to disappear from the daily chart.