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Saturday, November 17, 2012
 
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TDTitle (Click to View)StudioDaily GrossTheaters / AvgScreens / AvgShows / AvgGross To-DateDay
3Wreck-It RalphBuena Vista$8,622,8253,622$2,3816,600$1,30624,200$356$116,200,04916
4LincolnBuena Vista$8,606,8681,775$4,8492,500$3,4439,800$878$16,436,2839
-Seven PsychopathsCBS Films$71,415171$418171$418533$134$14,415,58637
-A Late QuartetEntertainment One$73,649100$736100$736410$180$486,10116
-Anna KareninaFocus Features$129,17216$8,07320$6,459110$1,174$217,0502
-ParaNormanFocus Features$52,725180$293220$240730$72$55,594,46293
7Taken 2Fox$960,3622,063$4662,100$4577,700$125$134,142,20244
-Chasing MavericksFox$78,144198$395200$391620$126$5,567,19823
-Ice Age: Continental DriftFox$41,660132$316140$298440$95$160,666,239128
-Diary of a Wimpy Kid: Dog DaysFox$19,56172$27272$272220$89$48,855,990107
-Won't Back DownFox$2,79424$11624$11670$40$5,306,83351
11The SessionsFox Searchlight$416,056516$806520$8002,560$163$2,576,85530
-The Expendables 2Lionsgate$15,52195$163100$155300$52$85,006,30593
-The PossessionLionsgate$12,17881$15081$150280$43$49,114,27679
1The Twilight Saga: Breaking Dawn Part 2Lionsgate/Summit$41,443,1474,070$10,1839,100$4,55447,600$871$112,610,9862
15The Perks of Being a WallflowerLionsgate/Summit$256,403511$502511$5021,840$139$15,419,54858
16SinisterLionsgate/Summit$196,881789$250790$2492,360$83$47,338,79237
-Alex CrossLionsgate/Summit$130,780535$244540$2421,740$75$25,124,73330
-Silent Hill: Revelation 3DOpen Road Films$92,037456$202530$1741,280$72$17,069,79223
-End of WatchOpen Road Films$20,93275$27980$262240$87$39,119,32658
5FlightParamount$3,943,6242,612$1,5103,000$1,31512,400$318$59,187,31716
-Paranormal Activity 4Paramount$171,269850$201850$2012,380$72$53,417,98030
-Fun SizeParamount$58,278388$150390$1491,270$46$9,108,37523
-House at the End of The StreetRelativity$45,203175$258180$251720$63$31,325,57358
-Port of Shadows (2012 re-issue)Rialto$1,9451$1,945n/an/an/an/a$15,34116
-Grand Illusion (2012 re-release)Rialto$1,9451$1,945n/an/an/an/a$168,510191
-The Man in the White Suit (2012 re-release)Rialto$1,7251$1,725n/an/an/an/a$2,6802
-ArbitrageRoadside Attractions$23,19980$29080$290270$86$7,745,49765
2SkyfallSony / Columbia$17,686,9953,505$5,0466,600$2,68026,500$667$149,776,8599
9Here Comes the BoomSony / Columbia$535,1251,350$3961,400$3824,600$116$40,687,21737
12Hotel TransylvaniaSony / Columbia$415,1671,248$3331,500$2773,900$106$142,416,77251
-Simon and the OaksThe Film Arcade$1,0045$201n/an/an/an/a$149,44137
-LooperTriStar$91,817214$429214$429610$151$65,066,69651
8Pitch PerfectUniversal$566,6101,122$5051,122$5054,000$142$60,775,66351
14The Man with the Iron FistsUniversal$295,755910$325910$3252,810$105$14,463,48016
6ArgoWarner Bros.$1,894,0172,210$8572,210$8578,500$223$90,967,38737
13Cloud AtlasWarner Bros.$398,967920$434930$4292,050$195$24,629,00823
-Trouble with the CurveWarner Bros.$55,796272$205272$205860$65$35,499,66058
-The Dark Knight RisesWarner Bros.$41,887160$262170$246380$110$447,885,951121
-To the Arctic (IMAX)Warner Bros.$29,31452$56452$564110$266$9,794,033212
-Born to Be Wild (IMAX)Warner Bros.$15,19930$50730$50770$217$21,310,102590
-The CampaignWarner Bros.$13,077101$129101$129330$40$86,890,106100
17Silver Linings PlaybookWeinstein Company$182,51816$11,40730$6,084150$1,217$303,2882
-The MasterWeinstein Company$23,46652$45152$451160$147$15,775,03665
-This Must Be the PlaceWeinstein Company$11,75915$78415$78467$176$78,66716
-The Intouchables (U.S.-only)Weinstein Company$4,75024$19824$19850$95$10,012,668177
-LawlessWeinstein Company$2,04019$10720$10250$41$37,387,33581
10Jab Tak Hai JaanYash Raj$533,019161$3,311180$2,961630$846$1,556,0055
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Note: Screen and Showing Counts are estimates made by Box Office Mojo based on showtimes tracking information. To read more about box office tracking and terminology, click here.



NOTE: If daily grosses stop for a movie, it means that the respective studio is no longer tracking it on a daily basis. The exceptions are New Line, Miramax/Dimension and Sony Pictures Classics. They don't do official daily box office, and estimates are made for their movies based on partial data in order to fill out the top 12. Because of this, movies from these studios are more apt to disappear from the daily chart.