Domestic 2008 Weekend 41
October 10-12, 2008
| TW | LW | Total | %± LW | Share | Releases | #1 Release | Gross | % of Total | Week | Distributor |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 3 | $21,888,492 | +59.6% | 21.5% | 10 | Body of Lies | $12,884,416 | 58.9% | 1 | Warner Bros. |
| 2 | 1 | $18,429,774 | -41.2% | 18.1% | 5 | Beverly Hills Chihuahua | $17,502,077 | 95% | 2 | Walt Disney Studios Motion Pictures |
| 3 | 6 | $16,865,965 | +269.8% | 16.5% | 2 | Quarantine | $14,211,321 | 84.3% | 1 | Screen Gems |
| 4 | 2 | $11,566,924 | -41.1% | 11.3% | 3 | Eagle Eye | $10,913,762 | 94.4% | 3 | DreamWorks |
| 5 | 4 | $6,531,867 | -44% | 6.4% | 2 | Nick and Norah's Infinite Playlist | $6,420,474 | 98.3% | 2 | Sony Pictures Releasing |
| 6 | 11 | $5,691,125 | +110.9% | 5.6% | 4 | The Express | $4,562,675 | 80.2% | 1 | Universal Pictures |
| 7 | 5 | $3,595,069 | -46.1% | 3.5% | 5 | Religulous | $2,230,898 | 62.1% | 2 | Lionsgate Films |
| 8 | 14 | $3,304,841 | +269.7% | 3.2% | 1 | The Duchess | $3,304,841 | 100% | 4 | Paramount Vantage |
| 9 | 19 | $3,286,843 | +853.2% | 3.2% | 5 | City of Ember | $3,129,473 | 95.2% | 1 | Twentieth Century Fox |
| 10 | 8 | $3,186,173 | -21.6% | 3.1% | 2 | Fireproof | $3,140,997 | 98.6% | 3 | The Samuel Goldwyn Company |
| 11 | 7 | $2,095,647 | -49.1% | 2.1% | 1 | Burn After Reading | $2,095,647 | 100% | 5 | Focus Features |
| 12 | 9 | $1,055,000 | -72.3% | 1% | 1 | An American Carol | $1,055,000 | 100% | 2 | Vivendi Entertainment |
| 13 | 10 | $1,001,083 | -68.4% | 1% | 3 | Igor | $560,410 | 56% | 4 | Metro-Goldwyn-Mayer (MGM) |
| 14 | 12 | $560,593 | -71.3% | 0.5% | 2 | Blindness | $486,726 | 86.8% | 2 | Miramax |
| 15 | 18 | $538,414 | +28.5% | 0.5% | 9 | Rachel Getting Married | $445,628 | 82.8% | 2 | Sony Pictures Classics |
| 16 | 13 | $535,368 | -68.8% | 0.5% | 3 | Righteous Kill | $483,131 | 90.2% | 5 | Overture Films |
| 17 | 17 | $268,567 | -39.5% | 0.3% | 2 | Vicky Cristina Barcelona | $252,468 | 94% | 9 | - |
| 18 | 15 | $225,534 | -70.1% | 0.2% | 1 | The Women | $225,534 | 100% | 5 | Picturehouse |
| 20 | 20 | $147,625 | -25.9% | 0.1% | 1 | The Legend of Drona | $147,625 | 100% | 2 | Eros Worldwide |
| 21 | 16 | $146,678 | -71.5% | 0.1% | 1 | Choke | $146,678 | 100% | 3 | - |
| 22 | 23 | $75,233 | -23.6% | <0.1% | 3 | Tell No One | $73,873 | 98.2% | 15 | Music Box Films |
| 23 | 22 | $71,383 | -30.5% | <0.1% | 5 | Man on Wire | $53,444 | 74.9% | 12 | Magnolia Pictures |
| 24 | 27 | $63,008 | +26.6% | <0.1% | 2 | Sea Monsters: A Prehistoric Adventure | $50,550 | 80.2% | 54 | National Geographic Entertainment |
| 25 | 21 | $57,790 | -56.5% | <0.1% | 1 | Fly Me to the Moon 3D | $57,790 | 100% | 9 | Summit Entertainment |
| 26 | 28 | $55,294 | +35.1% | <0.1% | 2 | Magnificent Desolation: Walking on the Moon | $33,240 | 60.1% | 160 | IMAX |
| 27 | 25 | $50,222 | -26.5% | <0.1% | 1 | Forever Strong | $50,222 | 100% | 4 | Crane Movie Company |
| 28 | 50 | $45,663 | +1,308.5% | <0.1% | 3 | Talento de barrio | $36,118 | 79.1% | 1 | Maya Entertainment |
| 30 | 34 | $39,391 | +59.9% | <0.1% | 1 | Dolphins and Whales 3D: Tribes of the Ocean | $39,391 | 100% | 35 | 3D Entertainment |
| 31 | 26 | $36,350 | -35.2% | <0.1% | 1 | Transsiberian | $36,350 | 100% | 13 | First Look International |
| 32 | 24 | $31,661 | -56.2% | <0.1% | 1 | Indiana Jones and the Kingdom of the Crystal Skull | $31,661 | 100% | 21 | Paramount Pictures |
| 33 | 29 | $28,159 | -20.4% | <0.1% | 3 | A Secret | $24,058 | 85.4% | 6 | Strand Releasing |
| 34 | 30 | $23,010 | -33% | <0.1% | 3 | A Girl Cut in Two | $18,559 | 80.7% | 9 | IFC Films |
| 35 | 31 | $20,118 | -31.5% | <0.1% | 4 | Trouble the Water | $16,451 | 81.8% | 8 | Zeitgeist Films |
| 36 | 38 | $19,143 | +42.4% | <0.1% | 3 | The Legend of God's Gun | $17,283 | 90.3% | 13 | Indican Pictures |
| 37 | 33 | $17,083 | -38.9% | <0.1% | 1 | Bottle Shock | $17,083 | 100% | 10 | Freestyle Releasing |
| 38 | 37 | $15,653 | +4.5% | <0.1% | 1 | Hounddog | $15,653 | 100% | 4 | Empire Pictures Inc. |
| 39 | 55 | $13,239 | +916% | <0.1% | 7 | Breakfast with Scot | $11,455 | 86.5% | 1 | Regent Releasing |
| 41 | 39 | $11,594 | +4.3% | <0.1% | 1 | Save Me | $11,594 | 100% | 6 | First Run |
| 42 | 36 | $10,461 | -48.3% | <0.1% | 5 | Beer for My Horses | $7,985 | 76.3% | 10 | Roadside Attractions |
| 44 | 46 | $6,645 | +56.3% | <0.1% | 1 | The Pool | $6,645 | 100% | 6 | Vitagraph Films |
| 45 | 40 | $6,185 | -38.3% | <0.1% | 1 | Boogie Man: The Lee Atwater Story | $6,185 | 100% | 3 | InterPositive Media |
| 46 | 35 | $5,890 | -75.9% | <0.1% | 1 | Towelhead | $5,890 | 100% | 5 | Warner Independent Pictures (WIP) |
| 47 | 32 | $5,802 | -80.2% | <0.1% | 1 | Battle in Seattle | $5,802 | 100% | 4 | Redwood Palms Pictures |
| 48 | 41 | $5,524 | -35.6% | <0.1% | 1 | Ballast | $5,524 | 100% | 2 | Alluvial Film Company |
| 49 | 52 | $5,138 | +62.6% | <0.1% | 1 | Another Gay Sequel: Gays Gone Wild! | $5,138 | 100% | 7 | TLA Releasing |
| 51 | 43 | $4,674 | -16.1% | <0.1% | 1 | Haunted Castle | $4,674 | 100% | 399 | - |
| 52 | 47 | $4,045 | -0.2% | <0.1% | 1 | Six in Paris | $4,045 | 100% | 2 | New Yorker Films |
| 53 | 49 | $3,503 | -6.7% | <0.1% | 1 | Momma's Man | $3,503 | 100% | 8 | Kino International |
| 54 | 42 | $3,485 | -45.1% | <0.1% | 1 | Flow: For Love of Water | $3,485 | 100% | 30 | Oscilloscope |
| 55 | 44 | $3,227 | -35.9% | <0.1% | 1 | Walking on Dead Fish | $3,227 | 100% | 4 | Variance Films |
| 58 | 51 | $2,427 | -24.6% | <0.1% | 1 | Encounters at the End of the World | $2,427 | 100% | 18 | THINKFilm |
| 59 | 54 | $1,798 | -27.5% | <0.1% | 1 | Sixty Six 2008 Re-release | $1,798 | 100% | 11 | First Independent Pictures |
| 60 | 58 | $1,403 | +216% | <0.1% | 1 | Whaledreamers | $1,403 | 100% | 3 | Monterey Media |
| 61 | 48 | $1,279 | -67.2% | <0.1% | 1 | Sky Kids | $1,279 | 100% | 9 | Dark Coast Pictures |
| 64 | 45 | $928 | -79.2% | <0.1% | 1 | A Man Named Pearl | $928 | 100% | 59 | Tentmakers Entertainment |
| 65 | 56 | $466 | -48.5% | <0.1% | 1 | Love and Honor | $466 | 100% | 24 | Eleven Arts |
| 66 | 57 | $222 | -62.6% | <0.1% | 1 | Monsieur Verdoux | $222 | 100% | 31 | The Film Desk |
