Adjuster:

Weekend Box Office


August 17-19, 2007
Weekend

'Superbad' Scores...

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Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
8 8 - Underdog Buena Vista $3,613,000 $3,848,791 $+235,791 +6.5% 2,551 $31,692,000 $31,927,488 3
16 16 - Ratatouille Buena Vista $1,451,000 $1,643,850 $+192,850 +13.3% 1,403 $196,428,000 $196,620,846 8
- 62 - Manda Bala (Send a Bullet) City Lights Pictures Releasing $14,000 $14,030 $+30 +0.2% 1 $14,000 $14,030 1
- 24 - Talk to Me Focus Features $266,000 $261,506 $-4,494 -1.7% 185 $3,949,000 $3,944,509 6
4 4 - The Simpsons Movie Fox $6,675,000 $6,829,648 $+154,648 +2.3% 3,162 $165,117,000 $165,271,443 4
- 28 - Once Fox Searchlight $197,000 $203,102 $+6,102 +3.1% 105 $7,303,000 $7,309,077 14
- 58 - This Is England IFC $31,700 $29,074 $-2,626 -8.3% 11 $150,000 $147,138 4
- 75 - Dans Paris IFC $8,000 $6,315 $-1,685 -21.1% 1 $31,800 $30,082 2
20 20 - BRATZ Lionsgate $400,000 $439,599 $+39,599 +9.9% 533 $8,854,000 $8,893,678 3
- 30 - Sicko Lionsgate $180,000 $200,411 $+20,411 +11.3% 159 $23,596,000 $23,616,424 9
17 17 - Death at a Funeral (2007) MGM $1,303,000 $1,282,973 $-20,027 -1.5% 260 $1,303,000 $1,282,973 1
11 11 - Becoming Jane Miramax $3,015,000 $2,935,129 $-79,871 -2.6% 1,186 $9,164,000 $9,083,790 3
- 72 - The List (2007) Mountain Top Releasing $9,060 $8,903 $-157 -1.7% 1 $35,800 $35,679 2
2 2 - Rush Hour 3 New Line $21,830,000 $21,353,361 $-476,639 -2.2% 3,778 $88,153,000 $87,676,529 2
7 7 - Hairspray (2007) New Line $4,270,000 $4,502,455 $+232,455 +5.4% 2,389 $100,573,000 $100,805,456 5
6 6 - Stardust Paramount $5,244,000 $5,651,343 $+407,343 +7.8% 2,565 $19,087,000 $19,493,894 2
19 19 - Hot Rod Paramount $559,000 $571,780 $+12,780 +2.3% 811 $13,094,000 $13,106,020 3
14 15 +1 Transformers Paramount (DreamWorks) $1,875,000 $1,948,099 $+73,099 +3.9% 1,206 $306,415,000 $306,487,922 7
- 27 - Arctic Tale Paramount Vantage $191,000 $207,346 $+16,346 +8.6% 227 $353,000 $369,592 4
18 18 - El Cantante Picturehouse $593,000 $640,627 $+47,627 +8.0% 374 $6,639,000 $6,686,803 3
- 37 - Rocket Science Picturehouse $114,000 $117,212 $+3,212 +2.8% 40 $201,000 $203,768 2
- 51 - The King of Kong: A Fistful of Quarters Picturehouse $50,300 $51,493 $+1,193 +2.4% 5 $50,300 $51,493 1
- 31 - 2 Days in Paris Samuel Goldwyn $180,000 $176,086 $-3,914 -2.2% 20 $447,000 $443,258 2
15 14 -1 Daddy Day Camp Sony (Revolution) $1,800,000 $1,950,823 $+150,823 +8.4% 2,332 $8,768,000 $8,918,854 2
1 1 - Superbad Sony / Columbia $31,200,000 $33,052,411 $+1,852,411 +5.9% 2,948 $31,200,000 $33,052,411 1
- 49 - Moliere Sony Classics $52,300 $52,658 $+358 +0.7% 34 $233,000 $233,083 4
- 67 - Interview Sony Classics $13,500 $11,694 $-1,806 -13.4% 12 $338,000 $336,712 6
- 42 - The Ten ThinkFilm $79,900 $82,775 $+2,875 +3.6% 47 $439,000 $442,042 3
3 3 - The Bourne Ultimatum Universal $18,986,000 $19,874,370 $+888,370 +4.7% 3,701 $163,806,000 $164,694,690 3
10 10 - I Now Pronounce You Chuck and Larry Universal $3,500,000 $3,601,545 $+101,545 +2.9% 2,258 $110,383,000 $110,484,335 5
- 22 - Evan Almighty Universal $324,000 $334,535 $+10,535 +3.3% 413 $98,406,000 $98,416,370 9
- 23 - Knocked Up Universal $290,000 $297,005 $+7,005 +2.4% 297 $147,299,000 $147,306,660 12
5 5 - The Invasion Warner Bros. $6,000,000 $5,951,409 $-48,591 -0.8% 2,776 $6,000,000 $5,951,409 1
9 9 - Harry Potter and the Order of the Phoenix Warner Bros. $3,540,000 $3,656,379 $+116,379 +3.3% 1,955 $278,646,000 $278,762,117 6
13 13 - No Reservations Warner Bros. $2,335,000 $2,363,459 $+28,459 +1.2% 1,604 $36,490,000 $36,518,274 4
- 47 - The 11th Hour Warner Independent $56,000 $60,853 $+4,853 +8.7% 4 $56,000 $60,853 1
12 12 - The Last Legion Weinstein Company $2,597,000 $2,746,312 $+149,312 +5.7% 2,002 $2,597,000 $2,746,312 1
- 70 - 7 Dias Xenon Pictures $9,520 $10,548 $+1,028 +10.8% 8 $9,520 $10,548 1
TOTALS:$122,852,280$126,969,909$+4,117,629+3.4%41,364 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.



'Superbad' Scores...

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