Adjuster:

Weekend Box Office


July 4-6, 2008
Weekend


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Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
2 2 - WALL-E Buena Vista $33,417,000 $32,509,203 $-907,797 -2.7% 3,992 $128,132,000 $127,196,028 2
15 15 - The Chronicles of Narnia: Prince Caspian Buena Vista $573,000 $551,513 $-21,487 -3.7% 403 $138,780,000 $138,762,746 8
- 75 - The Year My Parents Went on Vacation City Lights Pictures Releasing $6,800 $7,280 $+480 +7.1% 4 $797,000 $797,598 21
- 49 - War, Inc. First Look $42,100 $38,249 $-3,851 -9.1% 24 $472,000 $467,917 7
13 13 - The Happening Fox $1,450,000 $1,438,889 $-11,111 -0.8% 1,795 $62,077,000 $62,053,729 4
18 18 - What Happens in Vegas Fox $215,000 $225,705 $+10,705 +5.0% 303 $78,746,000 $78,755,577 9
19 22 +3 Gonzo Magnolia $190,000 $191,942 $+1,942 +1.0% 26 $190,000 $191,942 1
- 68 - Superhero Movie MGM (Weinstein) $10,000 $8,676 $-1,324 -13.2% 18 $25,854,000 $25,852,624 15
- 52 - Reprise Miramax $28,600 $25,862 $-2,738 -9.6% 15 $509,000 $506,537 8
16 16 - The Visitor Overture Films $355,000 $337,105 $-17,895 -5.0% 176 $8,150,000 $8,131,561 13
7 7 - Indiana Jones and the Kingdom of the Crystal Skull Paramount $3,940,000 $3,774,807 $-165,193 -4.2% 2,192 $306,590,000 $306,428,521 7
11 11 - The Love Guru Paramount $1,700,000 $1,806,545 $+106,545 +6.3% 2,648 $29,331,000 $29,427,850 3
12 12 - Iron Man Paramount $1,500,000 $1,459,613 $-40,387 -2.7% 1,019 $311,758,000 $311,708,133 10
5 5 - Kung Fu Panda Paramount (DreamWorks) $7,500,000 $7,318,635 $-181,365 -2.4% 3,347 $193,395,000 $193,221,867 5
8 8 - Kit Kittredge: An American Girl Picturehouse $3,601,000 $3,296,929 $-304,071 -8.4% 1,843 $6,128,000 $5,822,544 3
14 14 - Mongol Picturehouse $883,000 $765,120 $-117,880 -13.3% 253 $3,586,000 $3,472,331 5
- 33 - The Fall Roadside Attractions $93,500 $81,288 $-12,212 -13.1% 56 $1,918,000 $1,902,394 9
- 51 - Before the Rains Roadside Attractions $27,000 $25,888 $-1,112 -4.1% 17 $738,000 $737,006 9
17 17 - The Strangers Rogue Pictures $232,000 $234,900 $+2,900 +1.3% 324 $51,990,000 $51,991,400 6
- 31 - Roman de Gare Samuel Goldwyn $88,800 $85,266 $-3,534 -4.0% 37 $1,484,000 $1,480,472 11
- 42 - Priceless Samuel Goldwyn $50,400 $47,868 $-2,532 -5.0% 33 $1,974,000 $1,971,305 15
- 54 - Trumbo Samuel Goldwyn $25,400 $25,396 $-4 -0.0% 6 $69,000 $68,944 2
- 60 - Fugitive Pieces Samuel Goldwyn $15,300 $15,449 $+149 +1.0% 14 $577,000 $577,036 10
1 1 - Hancock Sony / Columbia $66,000,000 $62,603,879 $-3,396,121 -5.1% 3,965 $107,321,000 $103,877,446 1
10 10 - You Don't Mess with the Zohan Sony / Columbia $2,000,000 $1,981,251 $-18,749 -0.9% 1,731 $94,780,000 $94,773,156 5
20 25 +5 The Wackness Sony Classics $145,000 $138,401 $-6,599 -4.6% 6 $179,000 $172,179 1
- 29 - When Did You Last See Your Father Sony Classics $115,000 $100,278 $-14,722 -12.8% 57 $543,000 $525,965 5
- 30 - Brick Lane Sony Classics $107,000 $92,939 $-14,061 -13.1% 33 $279,000 $256,692 3
- 39 - The Children of Huang Shi Sony Classics $61,400 $51,451 $-9,949 -16.2% 36 $604,000 $589,126 7
- 87 - Baghead Sony Classics $4,500 $3,414 $-1,086 -24.1% 2 $26,600 $25,571 4
3 3 - Wanted Universal $20,607,000 $20,050,070 $-556,930 -2.7% 3,185 $90,775,000 $90,186,395 2
6 6 - The Incredible Hulk Universal $4,975,000 $4,899,280 $-75,720 -1.5% 3,043 $124,917,000 $124,841,395 4
21 26 +5 Baby Mama Universal $145,000 $135,725 $-9,275 -6.4% 234 $59,904,000 $59,895,435 11
- 32 - Forgetting Sarah Marshall Universal $90,000 $81,795 $-8,205 -9.1% 133 $62,885,000 $62,877,175 12
4 4 - Get Smart Warner Bros. $11,125,000 $11,109,408 $-15,592 -0.1% 3,574 $98,115,000 $98,100,652 3
9 9 - Sex and the City Warner Bros. (New Line) $2,340,000 $2,382,438 $+42,438 +1.8% 1,275 $144,864,000 $144,891,325 6
- 102 - My Blueberry Nights Weinstein Company $1,800 $1,605 $-195 -10.8% 7 $865,000 $863,802 14
TOTALS:$163,660,600$157,904,062$-5,756,538-3.5%35,826 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.


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