Adjuster:

Weekend Box Office


February 12-15, 2010
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3-DAY WEEKEND


'Valentine's Day' Pummels Presidents' Day Record...

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<<Last Weekend <Last YearView Index: By Year | By WeekendNext Year> Next Weekend>>
Est. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 1 - Valentine's Day WB $66,855,000 $63,135,312 $-3,719,688 -5.6% 3,665 $66,855,000 $63,135,312 1
2 2 - Percy Jackson & The Olympians: The Lightning Thief Fox $38,750,000 $38,661,634 $-88,366 -0.2% 3,356 $38,750,000 $38,661,634 1
3 3 - The Wolfman Uni. $36,489,000 $35,555,065 $-933,935 -2.6% 3,222 $36,489,000 $35,555,065 1
4 4 - Avatar Fox $30,000,000 $28,782,849 $-1,217,151 -4.1% 2,685 $667,605,000 $666,388,502 9
5 6 +1 Tooth Fairy Fox $7,700,000 $8,005,767 $+305,767 +4.0% 2,748 $43,628,000 $43,934,502 4
6 7 +1 From Paris with Love LGF $6,820,000 $6,352,780 $-467,220 -6.9% 2,722 $17,930,000 $17,465,570 2
7 9 +2 Crazy Heart FoxS $5,000,000 $4,982,062 $-17,938 -0.4% 1,005 $17,537,000 $17,509,037 9
8 11 +3 The Book of Eli WB $4,415,000 $4,211,221 $-203,779 -4.6% 1,825 $88,369,000 $88,165,452 5
9 10 +1 When in Rome BV $4,207,000 $4,277,925 $+70,925 +1.7% 2,125 $26,802,000 $26,875,654 3
10 12 +2 The Blind Side WB $2,670,000 $2,667,208 $-2,792 -0.1% 1,175 $245,136,000 $245,133,549 13
11 13 +2 My Name is Khan FoxS $2,275,000 $2,264,983 $-10,017 -0.4% 120 $2,275,000 $2,264,983 1
12 14 +2 Legion (2010) SGem $2,150,000 $2,104,565 $-45,435 -2.1% 1,424 $38,251,000 $38,206,460 4
13 15 +2 Up in the Air Par. $2,065,000 $2,063,060 $-1,940 -0.1% 925 $79,504,000 $79,501,829 11
14 16 +2 Sherlock Holmes WB $1,890,000 $1,887,397 $-2,603 -0.1% 950 $204,354,000 $204,350,996 8
15 17 +2 Alvin and the Chipmunks: The Squeakquel Fox $1,650,000 $1,696,335 $+46,335 +2.8% 1,057 $214,265,000 $214,311,806 8
16 18 +2 It's Complicated Uni. $1,405,000 $1,396,925 $-8,075 -0.6% 787 $10,975,000 $109,741,850 8
- 20 - The Lovely Bones P/DW $800,000 $804,802 $+4,802 +0.6% 833 $42,957,000 $42,962,418 10
- 21 - The Twilight Saga: New Moon Sum. $787,000 $688,386 $-98,614 -12.5% 398 $295,159,000 $295,061,295 13
- 19 - The Princess and the Frog BV $733,000 $811,714 $+78,714 +10.7% 441 $101,873,000 $101,951,400 12
- 22 - The Last Station SPC $687,000 $606,699 $-80,301 -11.7% 84 $1,545,000 $1,464,975 5
- 23 - An Education SPC $626,000 $583,342 $-42,658 -6.8% 333 $10,606,000 $10,563,708 19
- 25 - A Single Man Wein. $607,000 $574,452 $-32,548 -5.4% 313 $7,048,000 $7,015,011 10
- 24 - The Spy Next Door LGF $520,000 $576,642 $+56,642 +10.9% 403 $23,610,000 $23,665,971 5
- 26 - The Young Victoria App. $357,000 $366,862 $+9,862 +2.8% 215 $8,882,000 $9,490,243 9
- 28 - Precious: Based on the Novel "Push" by Sapphire LGF $230,000 $261,563 $+31,563 +13.7% 269 $46,540,000 $46,571,484 15
- 29 - The Imaginarium of Doctor Parnassus SPC $214,000 $206,000 $-8,000 -3.7% 102 $7,077,000 $7,069,201 8
- 30 - The White Ribbon SPC $205,000 $195,930 $-9,070 -4.4% 45 $1,050,000 $1,040,703 7
- 31 - Leap Year Uni. $160,000 $162,110 $+2,110 +1.3% 235 $25,643,000 $25,645,480 6
- - - Broken Embraces SPC $115,000 $115,147 $+147 +0.1% 71 $4,455,800 $4,456,054 13
- - - Nine Wein. $50,000 $52,300 $+2,300 +4.6% 81 $19,532,000 $19,533,560 9
- - - The Messenger Osci. $41,600 $43,715 $+2,115 +5.1% 30 $855,900 $858,053 14
- - - Youth in Revolt W/Dim. $32,000 $32,785 $+785 +2.5% 35 $15,150,000 $15,150,933 6
- - - Saint John of Las Vegas IVP $31,500 $28,338 $-3,162 -10.0% 14 $75,400 $72,245 3
- - - Terribly Happy Osci. $27,200 $27,719 $+519 +1.9% 5 $43,900 $44,411 2
- - - The Road W/Dim. $22,000 $22,769 $+769 +3.5% 40 $7,960,000 $7,961,078 12
37 5 -32 Dear John SGem $18,800 $18,200,188 $+18,181,388 +96,709.5% 2,975 $56,677,000 $56,077,760 2
- - - Bad Lieutenant: Port of Call New Orleans First $14,000 $14,697 $+697 +5.0% 16 $1,676,200 $1,676,848 13
TOTALS:$220,619,100$232,421,248$+11,802,148+5.3%36,729 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.



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