Adjuster:

Weekend Box Office


August 9-11, 2013
Weekend

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<<Last Weekend <Last YearView Index: By Year | By WeekendNext Year> Next Weekend>>
RowEst. / Act.DiffMovie Title (click to view)StudioStudio Est. / ActualDiff% DiffTheatersEst. TotalActualWk
1 9 9 - Despicable Me 2 Uni. $5,748,000 $5,915,650 $+167,650 +2.9% 2,395 $338,314,000 $338,481,845 6
2 5 5 - 2 Guns Uni. $11,128,000 $11,249,145 $+121,145 +1.1% 3,028 $48,517,000 $48,638,050 2
3 12 11 -1 Turbo Fox $2,250,000 $2,351,120 $+101,120 +4.5% 1,771 $75,020,000 $75,121,074 4
4 - 20 - Monsters University BV $651,000 $683,659 $+32,659 +5.0% 405 $260,100,000 $260,171,175 8
5 7 7 - The Wolverine Fox $8,000,000 $8,024,404 $+24,404 +0.3% 2,867 $111,986,000 $112,010,574 3
6 16 16 - Pacific Rim WB $1,540,000 $1,550,226 $+10,226 +0.7% 980 $96,770,000 $96,779,757 5
7 - 46 - I'm So Excited SPC $47,400 $50,864 $+3,464 +7.3% 52 $1,212,700 $1,216,168 7
8 - 71 - The Canyons IFC $9,600 $11,076 $+1,476 +15.4% 4 $30,100 $31,162 2
9 - 25 - The Spectacular Now A24 $266,000 $266,589 $+589 +0.2% 19 $534,000 $534,692 2
10 - 28 - Lovelace RTWC $184,000 $184,536 $+536 +0.3% 118 $184,000 $184,536 1
11 - 37 - The Attack Cohen $87,800 $88,049 $+249 +0.3% 45 $1,364,900 $1,365,060 8
12 - 27 - 20 Feet from Stardom RTWC $194,000 $194,228 $+228 +0.1% 112 $3,851,000 $3,851,512 9
13 - 31 - Fast & Furious 6 Uni. $147,000 $146,985 $-15 -0.0% 191 $238,287,000 $238,286,640 12
14 - 22 - R.I.P.D. Uni. $459,000 $458,915 $-85 -0.0% 478 $31,970,000 $31,970,110 4
15 - 62 - The Bling Ring A24 $17,400 $16,982 $-418 -2.4% 40 $5,806,900 $5,806,398 9
16 - 40 - In a World RAtt. $71,000 $70,541 $-459 -0.6% 3 $71,000 $70,541 1
17 - 57 - Snake and Mongoose RM $21,000 $20,254 $-746 -3.6% 1 $21,000 $20,254 1
18 - 61 - The Artist and the Model Cohen $19,200 $18,386 $-814 -4.2% 5 $45,900 $45,100 2
19 - 42 - Kevin Hart: Let Me Explain LG/S $63,000 $62,096 $-904 -1.4% 77 $32,164,000 $32,163,063 6
20 - 35 - The Croods Fox $96,000 $95,092 $-908 -0.9% 142 $186,855,900 $186,855,008 21
21 - 48 - Much Ado About Nothing (2013) RAtt. $41,500 $40,501 $-999 -2.4% 53 $4,170,400 $4,169,353 10
22 - 63 - Only God Forgives RTWC $16,400 $14,760 $-1,640 -10.0% 17 $743,800 $742,088 4
23 - 45 - Unfinished Song Wein. $56,500 $53,963 $-2,537 -4.5% 53 $1,512,500 $1,509,986 8
24 - 52 - Mud RAtt. $35,200 $32,344 $-2,856 -8.1% 44 $21,541,200 $21,538,367 16
25 - 47 - Before Midnight SPC $50,100 $46,199 $-3,901 -7.8% 56 $7,944,400 $7,940,526 12
26 13 13 - Chennai Express UTV $2,225,000 $2,220,497 $-4,503 -0.2% 196 $2,475,000 $2,416,513 1
27 - 23 - The Lone Ranger BV $297,000 $290,661 $-6,339 -2.1% 261 $87,400,000 $87,344,973 6
28 17 17 - The Way, Way Back FoxS $1,500,000 $1,491,433 $-8,567 -0.6% 780 $16,320,000 $16,311,621 6
29 - 32 - Now You See Me LG/S $175,000 $143,607 $-31,393 -17.9% 143 $115,782,000 $115,750,147 11
30 15 14 -1 The Heat Fox $2,000,000 $1,966,274 $-33,726 -1.7% 1,351 $153,616,000 $153,582,219 7
31 18 18 - Fruitvale Station Wein. $1,443,000 $1,406,275 $-36,725 -2.5% 828 $13,491,000 $13,453,935 5
32 10 10 - Grown Ups 2 Sony $3,700,000 $3,645,565 $-54,435 -1.5% 2,102 $123,800,000 $123,786,496 5
33 8 8 - The Conjuring WB $6,700,000 $6,627,356 $-72,644 -1.1% 2,650 $120,745,000 $120,672,262 4
34 14 15 +1 Red 2 LG/S $2,030,000 $1,940,423 $-89,577 -4.4% 1,574 $49,441,000 $49,351,645 4
35 2 2 - We're the Millers WB $26,555,000 $26,419,396 $-135,604 -0.5% 3,260 $38,044,000 $37,908,179 1
36 6 6 - The Smurfs 2 Sony $9,500,000 $9,328,495 $-171,505 -1.8% 3,867 $46,600,000 $46,471,998 2
37 11 12 +1 Blue Jasmine SPC $2,523,000 $2,345,407 $-177,593 -7.0% 119 $6,219,000 $6,041,246 3
38 4 4 - Percy Jackson: Sea of Monsters Fox $14,600,000 $14,401,054 $-198,946 -1.4% 3,031 $23,457,000 $23,258,113 1
39 3 3 - Planes BV $22,525,000 $22,232,291 $-292,709 -1.3% 3,702 $22,525,000 $22,232,291 1
40 1 1 - Elysium TriS $30,400,000 $29,807,393 $-592,607 -1.9% 3,284 $30,400,000 $29,807,393 1
TOTALS:$157,372,100$155,912,691$-1,459,409-0.9%40,104 
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* Production Budget in millions. On average, studios earn around 55 percent of the final gross.

Note: Studio Estimates are the estimated weekend grosses that each distributor makes for its own movies on Sunday mornings—based on grosses for Friday and Saturday plus a projection for Sunday. This chart view shows how accurate the studios were.



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